If there is one painting in recent history that stirred so much discussion and controversy then i would think that that accolade should go to Édouard Manet and 'Le Dejeuner sur l’Herbe' presented in the year 186.
Shocking, provocative and utterly scandalous the painting instantly brought fame and notoriety to Manet who was undaunted by his expression of the nude in society of the day.
Critics failed to fathom the lack of interaction between the three main figures as Manet inspired latter generations of paintings to dig deep beyond the visual subject for a thematic interpretation. Realism, as a manner of artistic expression, came to face a new revolution in art with the new ideals as exhibited in Manet's famous painting. The painting is one of the classic pieces of the Impressionist Movement which he initiated together with other great french painters like Claude Monet.
Location - Musée d'Orsay in Paris
Saturday, December 28, 2019
Tuesday, May 3, 2016
Love Letters
"When two soul, which have sought each other for however long in the crowd, have finally found each other, when they have seen that they are matched, are in sympathy and compatible, in a word, that they are alike. there is then established for ever between them a union, strong and pure as they themselves are, a union which begins on earth and continues for ever in heaven. This union is love, true love, such as in truth very few men can conceive, that love which is a religion, which deifies the loved one, whose life comes from devotion and passion and for which the greatest sacrifices are the sweetest delights."
Victor Hugo b. 1802 d. 1885. excerpt Love Letters to Adèle Foucher.
Fine art discussions by Pieter Bergli
For my readers that love a decent cup of the world's most popular beverage with something to read then please turn to my other blog -
http://thegenteelworldofcoffee.blogspot.com/
and of course for lovers of art
https://www.pinterest.com/myartmusings/
and then for readings in history please turn to my first writings on the histories of the Napoleonic military campaigns describing the three most famous battles of the French commander's military career.
http://austerlitz-borodino-waterloo.blogspot.com/
Thank you
Sunday, May 1, 2016
War And Peace By Leo Tolstoy On Canvas
The novel 'War and Peace' written by the Russian author Leo Tolstoy b.1828 d. 1910 and first published in in 1869 is often regarded as one of the greatest works of European literary. Born, Count Lev Nikolayevich Tolstoy, the writer himself is born into a world of privilege which quickly becomes consumed within a vast sea of social changes that led to the massive people's revolution of Russia and the rise of Communism shortly after the writer's death. War and Peace is an epic story set in four volumes. It tells the tale of Russian society and the struggle of the nation against the invading French forces under Napoleon Bonaparte. The story becomes a vast philosophical commentary where changes in the Russian world are forced upon people through warfare and how people's lives must change in order to come to terms with the natural necessity of change. It is a story where social order crumbles, where hierarchy comes under scrutiny and where love falls to ruin or embraces the sweeping changes of the times in order to succeed.
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Natasha Rostova's first ball - 1893 - Leonid Pasternak |
The Rostovs are an aristocratic family from the world of the Tsarist society and who are torn apart and swept aside before the wrath of Napoleon. But through their troubles the events of 1805 to 1812 lead to eventual contentment through the changes.
Volume One begins in St. Petersburgh with a a soirée given by Anna Pavlovna Scherer who is the maid of honor and confidante of the Russian dowager Empress Maria Feodorovna, mother of the reigning Tsar, Alexander 1. here we meet the affable Prince Andrei Nikolayevich Bolkonsky who becomes disinterested with society as the talks of war rage on and who eventually takes the decision to flee the monotony of St. Petersburgh in the call for arms as he joins the army under Prince Mikhail Ilarionovich Kutuzov as aide-de-camp. The setting moves to Moscow where we meet the Rostov family, Count Ilya Andreyevich Rostov and Countess Natalya Rostova and their children, as Tolstoy portrays the typical confused financials of Russian gentry. The son, twenty-year-old Nikolai Ilyich, speaks of his love for Sonya (Sofia Alexandrovna), his fifteen-year-old cousin, who was an orphan but lived within their family household. Volume One then ends with the story of Austerlitz and the defeat of the Russian and Austrian armies.
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The Battle of Austerlitz - 1830 - Gérard, François Pascal Simon |
Volume Two begins with Nikolai Rostov returning home on a sojourn form his regiment. The Rostov family are now financially ruined and his mother begs him to find a wealthy girl for marriage. Nikolai refused and pledges his love for the penniless orphan Sonia. Prince Andrei, terribly wounded, recovers his life, and meets Natasha and proposes marriage but the narriage is opposed by his father our of distaste for the Rostovs. Tolstoy tries to portray life as normal in spite of the defeat on the fields of Austerlitz with Russian society ill-prepared for the French invasion which is about to commence.
In Volume Three we are introduced to the main protagonist of the French, Napoleon. Tolstoy presents a great strategist at the head of some four hundred thousand men who march through the Russian country-side through the summer of 1812 until they reach the city of Smolensk. The battle of Borodino becomes a bloody stand-off with neither side able to claim a victory in the terrible slaughter of men on both sides. The wounded Russian army withdraw the next day and Napoleon decides to march on an undefended Moscow. Prince Andrei once again is among the wounded.
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Battle of Borodino 1812 - 1822- Louis-François, Baron Lejeune |
On canvas the imagination of the epic story of the French invasion and eventual defeat has been captured and rendered unto the visual by many artists. In Volume Four we come back to the minutae of Russian society and witness the Rostovs abandoning Moscow ahead of the arrival of the French army. The French army burn and occupy Moscow but the Russian winter has already set in and with scarcity of food Napoleon is forces to realize that he must retreat or perish in hunger. In a skirmish with the retreating French army, the young Petya Rostov is killed. Prince Andrei is reunited with Natasha but succumbs to his wounds as the tragedy unfolds and takes it's toll with the human cost of war.
The final message of Tolstoy is one of hope through conflict; a message that took a further two world wars in Europe before a real chance of social peace and economic prosperity could grow and envelop all aspects of European society. In the Epilogue section to the great story the eldest son Nikolai is forced to face the reality of his family debts and then marries the unattractive Maria Bolkonskaya to save his family from ruin but in the process abandons his true love Sonya who becomes the pathetic subject discarded at the end of the novel although she is mentioned to have moved with the newly-weds and is supported financially. Here Tolstoy brings to force the true realism in a society trying to find a moral ground to stand on after all has crumbled into ruin. The only love left for the Rostovs is that which could stand the test of time through a material love built upon rational finances and which is contrasted to the mismanagement of the estates of the Tsarist Russian gentry as seen through the Rostovs by the critical Tolstoy. On a grander scale Tolstoy portrays how great historical events like Borodino come together through the countless threads of smaller individual characters and their experiences which sum together the final collective will to repulse the French aggressor from Russian soil. In a grand sweep and social commentary Tolstoy collects the conscious aspirations and pain of several individual stories of sufferings to finally relieve the protagonists through the entire experience of war and the eventual retreat of the French form Moscow.
Fine art discussions by Pieter Bergli
For my readers that love a decent cup of the world's most popular beverage with something to read then please turn to my other blog -
http://thegenteelworldofcoffee.blogspot.com/
and of course for lovers of art
https://www.pinterest.com/myartmusings/
and then for readings in history please turn to my first writings on the histories of the Napoleonic military campaigns describing the three most famous battles of the French commander's military career.
http://austerlitz-borodino-waterloo.blogspot.com/
Thank you
![]() |
French retreat from Russia in 1812 - c. 1874 - Illarion Pryanishnikov |
The final message of Tolstoy is one of hope through conflict; a message that took a further two world wars in Europe before a real chance of social peace and economic prosperity could grow and envelop all aspects of European society. In the Epilogue section to the great story the eldest son Nikolai is forced to face the reality of his family debts and then marries the unattractive Maria Bolkonskaya to save his family from ruin but in the process abandons his true love Sonya who becomes the pathetic subject discarded at the end of the novel although she is mentioned to have moved with the newly-weds and is supported financially. Here Tolstoy brings to force the true realism in a society trying to find a moral ground to stand on after all has crumbled into ruin. The only love left for the Rostovs is that which could stand the test of time through a material love built upon rational finances and which is contrasted to the mismanagement of the estates of the Tsarist Russian gentry as seen through the Rostovs by the critical Tolstoy. On a grander scale Tolstoy portrays how great historical events like Borodino come together through the countless threads of smaller individual characters and their experiences which sum together the final collective will to repulse the French aggressor from Russian soil. In a grand sweep and social commentary Tolstoy collects the conscious aspirations and pain of several individual stories of sufferings to finally relieve the protagonists through the entire experience of war and the eventual retreat of the French form Moscow.
Fine art discussions by Pieter Bergli
For my readers that love a decent cup of the world's most popular beverage with something to read then please turn to my other blog -
http://thegenteelworldofcoffee.blogspot.com/
and of course for lovers of art
https://www.pinterest.com/myartmusings/
and then for readings in history please turn to my first writings on the histories of the Napoleonic military campaigns describing the three most famous battles of the French commander's military career.
http://austerlitz-borodino-waterloo.blogspot.com/
Thank you
Monday, April 4, 2016
Elegy Written in a Country Churchyard - Thomas Gray - 1751
Thomas Gray English poet b. 1716 d.1771. Classical scholar and professor at Cambridge University. The poem 'Elegy Written in a Country Churchyard' was first published in 1751.
The lowing herd wind slowly o'er the
lea,
The ploughman homeward plods his
weary way,
And leaves the world to darkness and
to me.
Now fades the glimmering landscape
on the sight,
And all the air a solemn stillness
holds,
Save where the beetle wheels his
droning flight,
And drowsy tinklings lull the
distant folds;
Save that from yonder ivy-mantled
tower
The moping owl does to the moon
complain
Of such, as wandering near her
secret bower,
Molest her ancient solitary reign.
Beneath those rugged elms, that
yew-tree's shade,
Where heaves the turf in many a mouldering
heap,
Each in his narrow cell for ever laid,
The rude forefathers of the hamlet
sleep.
The breezy call of incense-breathing
morn,
The swallow twittering from the
straw-built shed,
The cock's shrill clarion, or the
echoing horn,
No more shall rouse them from their
lowly bed.
Or busy housewife ply her evening
care:
No children run to lisp their sire's
return,
Or climb his knees the envied kiss
to share.
Their furrow oft the stubborn glebe
has broke;
How jocund did they drive their team
afield!
How bowed the woods beneath their
sturdy stroke!
Their homely joys, and destiny
obscure;
Nor Grandeur hear with a disdainful
smile,
The short and simple annals of the
poor.
The boast of heraldry, the pomp of
power,
And all that beauty, all that wealth
e'er gave,
Awaits alike the inevitable hour.
The paths of glory lead but to the
grave.
Nor you, ye Proud, impute to these
the fault,
If Memory o'er their tomb no
trophies raise,
Where through the long-drawn aisle
and fretted vault
The pealing anthem swells the note
of praise.
Can storied urn or animated bust
Back to its mansion call the
fleeting breath?
Can Honour's voice provoke the
silent dust,
Or Flattery soothe the dull cold ear
of Death?
Perhaps in this neglected spot is
laid
Some heart once pregnant with
celestial fire;
Hands that the rod of empire might
have swayed,
Or waked to ecstasy the living lyre.
Rich with the spoils of time did
ne'er unroll;
Chill Penury repressed their noble
rage,
And froze the genial current of the
soul.
The dark unfathomed caves of ocean
bear:
Full many a flower is born to blush
unseen,
And waste its sweetness on the
desert air.
The little tyrant of his fields
withstood;
Some mute inglorious Milton here may
rest,
Some Cromwell guiltless of his
country's blood.
The applause of listening senates to
command,
The threats of pain and ruin to
despise,
To scatter plenty o'er a smiling
land,
And read their history in a nation's
eyes,
Their lot forbade: nor circumscribed
alone
Their growing virtues, but their
crimes confined;
Forbade to wade through slaughter to
a throne,
And shut the gates of mercy on
mankind,
The struggling pangs of conscious
truth to hide,
To quench the blushes of ingenuous
shame,
Or heap the shrine of Luxury and
Pride
With incense kindled at the Muse's
flame.
Far from the madding crowd's ignoble
strife,
Their sober wishes never learned to
stray;
Along the cool sequestered vale of
life
They kept the noiseless tenor of
their way.
Yet even these bones from insult to
protect
Some frail memorial still erected
nigh,
With uncouth rhymes and shapeless
sculpture decked,
Implores the passing tribute of a
sigh.
Their name, their years, spelt by
the unlettered muse,
The place of fame and elegy supply:
And many a holy text around she
strews,
That teach the rustic moralist to
die.
This pleasing anxious being e'er
resigned,
Left the warm precincts of the
cheerful day,
Nor cast one longing lingering look
behind?
On some fond breast the parting soul
relies,
Some pious drops the closing eye
requires;
Ev'n from the tomb the voice of
nature cries,
Ev'n in our ashes live their wonted
fires.
For thee, who mindful of the
unhonoured dead
Dost in these lines their artless
tale relate;
If chance, by lonely Contemplation
led,
Some kindred spirit shall inquire
thy fate,
Haply some hoary-headed swain may
say,
'Oft have we seen him at the peep of
dawn
'Brushing with hasty steps the dews
away
'To meet the sun upon the upland lawn.
'There at the foot of yonder nodding
beech
'That wreathes its old fantastic
roots so high,
'His listless length at noontide
would he stretch,
'And pore upon the brook that
babbles by.
'Hard by yon wood, now smiling as in
scorn,
'Muttering his wayward fancies he
would rove,
'Now drooping, woeful wan, like one
forlorn,
'Or crazed with care, or crossed in
hopeless love.
'One morn I missed him on the
customed hill,
'Along the heath and near his
favourite tree;
'Another came; nor yet beside the
rill,
'Nor up the lawn, nor at the wood
was he;
'The next with dirges due in sad
array
'Slow through the church-way path we
saw him borne.
'Approach and read (for thou can'st
read) the lay,
'Graved on the stone beneath yon
aged thorn.'
Here rests his head upon the lap
of earth
A youth to fortune and to
fame unknown.
Fair Science frowned not on
his humble birth,
And Melancholy marked him for
her own.
Large was his bounty, and his soul sincere,
Heaven did a recompense as largely
send:
He gave to Misery all he had, a
tear,
He gained from Heaven ('twas all he
wished) a friend.
No farther seek his merits to
disclose,
Or draw his frailties from their
dread abode,
(There they alike in trembling hope
repose)
The bosom of his Father and his God.
Discussions on art and literature by Pieter Bergli
For my readers that just love a decent cup of the world's most popular beverage with something to read then please turn to my other blog -
http://thegenteelworldofcoffee.blogspot.com/
and of course for lovers of art
https://www.pinterest.com/myartmusings/
and then for readings in history please turn to my first writings on the histories of the Napoleonic military campaigns describing the three most famous battles of the French commander's military career.
http://austerlitz-borodino-waterloo.blogspot.com/
Thank you
For my readers that just love a decent cup of the world's most popular beverage with something to read then please turn to my other blog -
http://thegenteelworldofcoffee.blogspot.com/
and of course for lovers of art
https://www.pinterest.com/myartmusings/
and then for readings in history please turn to my first writings on the histories of the Napoleonic military campaigns describing the three most famous battles of the French commander's military career.
http://austerlitz-borodino-waterloo.blogspot.com/
Thank you
Tuesday, March 1, 2016
Dutch Masters - Landscapes of Aelbert Cuyp
The Dutch Golden Age of the 17th century brought great wealth to the Netherlands with trade and commerce from the orient to the west. Formerly a client state of the Holy Roman Empire the new Dutch state shook off its yoke in 1590 and embarked upon an ambitious global trading policy that eventually saw Dutch maritime supremacy by the 17th century. With the coffee trade and tea, to spices and condiments Dutch traders scoured the globe to make markets back home in Europe and monopolize the supply of such commodities throughout Western Europe. merchants became successful and the citizens flourished as artisans throughout the land received commissions for new works of fine art. One such artist of renown for his serene and gentle Dutch landscapes is Aelbert Cuyp who portrayed the success of his nation by demonstrating the peaceful contentment of rural life allowed to grow in this new age of national wealth. For Aelbert Cuyp b.1620 d.1691, rural life is not overwhelmed with abject poverty but rather an idyllic vision that only economic success can bring as money and wealth brings hopes for greater visions and new achievements. The idyllic visions are tinged with hope and confidence that the newly born nation can rise above turmoils associated with other great political births in history. Aelbert Cuyp can just as well carry this theme through his images of animals, landscapes, social gentry or even maritime subjects. His paintings speak of a quiet inner strength of his nation as the Golden Age permeates all walks of life.
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Landscape with a Timber Yard near Dordrecht c.1639 Oil on panel, The Kremer Collection. |
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Portrait of a Twenty-year-old Duck Sijctghen c.1647 Oil on panel, Dordrechts Museum, Dordrecht. |
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River Landscape with Seven Cows c. 1648 Oil on panel, The Kremer Collection. |
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The Avenue at Meerdervoort c. 1650 Oil on wood, Wallace Collection London. |
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Landscape with a Hunt c. 1650 Oil on canvas, Private collection. |
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The Valkhof at Nijmegen 1652 Oil on wood, Museum of Art Indianapolis. |
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View of Dordrecht c. 1655 Oil on canvas, Kenwood House, London. |
From the quiet pastorals to the unassuming display of Dutch naval mercantilism, Aelbert Cuyp demonstrated the growing confidence of his nation in a period known as the Dutch Golden Age in the 17th century. Also known as the 'Dutch Miracle' his paintings remind us of the economic growth reflected through the placidity of his images of rural life sans squalor sans poverty but beaming with contentment over every plot of land that is home to the Netherlands.
Fine art discussions by Pieter Bergli
For my readers that just love a decent cup of the world's most popular beverage with something to read then please turn to my other blog -
http://thegenteelworldofcoffee.blogspot.com/
and of course for lovers of art
https://www.pinterest.com/myartmusings/
and then for readings in history please turn to my first writings on the histories of the Napoleonic military campaigns describing the three most famous battles of the French commander's military career.
http://austerlitz-borodino-waterloo.blogspot.com/
Thank you
For my readers that just love a decent cup of the world's most popular beverage with something to read then please turn to my other blog -
http://thegenteelworldofcoffee.blogspot.com/
and of course for lovers of art
https://www.pinterest.com/myartmusings/
and then for readings in history please turn to my first writings on the histories of the Napoleonic military campaigns describing the three most famous battles of the French commander's military career.
http://austerlitz-borodino-waterloo.blogspot.com/
Thank you
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